Work, Work, Work (Pub, Club, Sleep)?

Select Bibliography

1. British History and Society 

Abercrombie, Nicholas, Rosemary Deem, and Alan Warde. Contemporary British Society. Oxford: Blackwell Publishers, 2000.

Heartfield, James. The Creativity Gap. Blueprint Broadsides, 2005.

Marr, Andrew. A History of Modern Britain. Pan Books: London, 2008.

Marwick, Arthur. The Sixties. Cultural Revolution in Britain, France, Italy, and the United States, c.1958-c.1974. Oxford: Oxford University Press, 1998.

McKay, George, ed. DiY Culture: Protest and Party in Nineties Britain. London: Verso, 1998.

Morley, David, ed. British Cultural Studies. Geography, Nationality, and Identity. Oxford: Oxford University Press, 2005.

Pugh, Martin. State and Society- A Social and Political History of Britain, 1870-1997. London: Arnold, 1999.

Sinfield, Alan. Literature, Politics and Culture in Postwar Britain. London: Continuum, 2004.

2. Literature 

Atwood, Margaret Eleanor. Negotiating With the Dead. A Writer on Writing. Cambridge: Cambridge University Press, 2002.

Bednarz, James. Shakespeare & the Poet’s War. New York: Columbia University Press, 2001.

Briggs, Julia. Virginia Woolf. An Inner Life. London: Allan Lane, 2005.

Chase, Cynthia, and Andrzej Warminski. “Wordsworth and the Production of Poetry.” Diacritics: A Review of Contemporary Criticism 17.4 (1987): 2 - 85.

De Grazia, Margreta, and Stanley W. Wells. The Cambridge Companion to Shakespeare. Cambridge: Cambridge University Press, 2001.

Froula, Christine. Virginia Woolf and the Bloomsbury Avant-Garde. War, Civilization, Modernity. New York: Columbia University Press, 2005.

Gill, Stephen, ed. The Cambridge Companion to Wordsworth. Cambridge: Cambridge University Press, 2003.

Goldberg, Brian. The Lake Poets and Professional Identity. Cambridge: Cambridge University Press, 2007.

Hewitt, Regina. The Possibilities of Society. Wordsworth, Coleridge, and the Sociological Viewpoint of English Romanticism. Albany, NY: State University of New York Press, 1997.

Pfau, Thomas. Wordsworth’s Profession. Form, Class, and the Logic of Early Romantic Cultural Production. Stanford, CA: Stanford University Press, 1997.

Pogue, Kate Emery. Shakespeare’s Friends. Westport, CT: Praeger, 2006.

Roe, Sue, and Susan Sellers, eds. The Cambridge Companion to Virginia Woolf. Cambridge: Cambridge University Press, 2000.

Shaughnessy, Robert. The Cambridge Companion to Shakespeare and Popular Culture. Cambridge: Cambridge University Press, 2007.

Wells, Stanley. Shakespeare and Co. London: Allan Lane, 2006.

Woolf, Virginia. A Room of One’s Own. 1929. London: Penguin, 2004.

Wordsworth, Willam, and Samuel Taylor Coleridge. Wordsworth and Coleridge: Lyrical Ballads. 1800. eds. R.L. Brett, and Alun R. Jones, London: Routledge, 2005.

3. Music 

Adlington, Robert. Sound Commitments. Avant-Garde Music and the Sixties. Oxford: Oxford University Press, 2009.

Bracewell, Michael. Re-make / Re-model. Art, Pop, Fashion and the Making of Roxy Music, 1953-1972. London: Faber, 2007.

Brewster, Bill, and Frank Broughton. Last Night a DJ Saved My Life. The History of the Disc Jockey. New York: Grove Press, 2000.

Brown, Andy. “Rethinking the Subcultural Commodity. The Case of Heavy Metal T-Shirt Culture(s).” Youth Cultures. Scenes, Subcultures and Tribes. Eds. Paul Hodkinson, and Wolfgang Deicke. London: Routledge, 2007. 63-78.

Dawson, Ashley. “ʼThis is the Digital Underclassʼ: Asian Dub Foundation and Hip-Hop Cosmopolitanism.” Social Semiotics 12.1 (2002): 27-44.

Dayal, Geeta. Brian Eno’s Another Green World. New York, NY ; London: Continuum, 2009.

Dudrah, Rahinder. “Drum’N’Dhol: British Bhangra Music and Diasporic South Asian Identity Formation.” European Journal of Cultural Studies 5.3 (2002): 363-83.

Dudrah, Raijinder Kumah. “British Bhangra Music and the Battle of Britpop: South Asian Cultural Identity and Cultural Politics in Urban Britain.” Migration: A European Journal of International Migration and Ethnic Relations 39/40/41 (2002): 173-93.

———. “Cultural Production in the British Bhangra Music Industry: Music-Making, Locality, and Gender.” International Journal of Punjab Studies 9.2 (2002): 219-51.

Hancox, Dan. “The Outsiders.” Daily Note February 12 2010, 8-11.

Haslam, Dave. “DJ Culture.” The Clubcultures Reader. Eds. Steve Redhead, Derek Wynne, and Justin O’Connor. London: Routledge, 1997. 150-61.

Hawkins, Stan. The British Pop Dandy. Masculinity, Popular Music and Culture. Farnham: Ashgate Publishing, 2009.

Hesmondhalgh, David. “Flexibility, Post-Fordism and the Music Industries.” Media, Culture & Society 18.3 (1996): 469-88.

———. “Post-Punk’s Attempt to Democratise the Music Industry: The Success and Failure of Rough Trade.” Popular Music 16.03 (1998): 255-74.

———. “Digital Sampling and Cultural Inequality.” Social & Legal Studies 15.1 (2006): 53-75.

———. “The British Dance Music Industry: A Case Study of Independent Cultural Production.” The British Journal of Sociology 49 (1998): 234―251.

Holmes, Su. “Dreaming a Dream: Susan Boyle and Celebrity Culture.” The Velvet Light Trap 65.1 (2010): 74-76.

Huq, Rupa. “From the Margins to the Mainstream? Representations of British Asian Youth Musical Cultural Expression From Bhangra to Asian Underground Music.” Young 11.1 (2003): 29-48.

Hutnyk, John. Critique of Exotica. Music, Politics and the Culture Industry. London: Pluto Press, 2000.

Kalra, Virinder S., John Hutnyk, and Sanjay Sharma. “Re-Sounding (Anti) Racism, Or Concordant Politics? Revolutionary Antecedents.” Dis-Orienting Rhythms: The Politics of the New Asian Dance Music, London: Zed Books. Eds. Sanjay Sharma, John Hutnyk, and Ashwani Sharma. London, New York: Zed Books, 1996. 127-55.

Mendes, Ana Christina. “The Brown Culture Industry: Theodor Adorno Meets Talvin Singh.” London, 2007. Cultural Studies Now Conference Journal. 17 April 2010 <http://www.uel.ac.uk/culturalstudiesnow/documents/MendesBrownCultureIndustry.pdf>.

Nyman, Michael. Experimental Music. Cage and Beyond. 2nd ed., Cambridge: Cambridge University Press, 2007.

PrŽvost, Eddie, ed. Cornelius Cardew (1936-1981): A Reader. Harlow: Copula Press, 2008.

Reddington, Helen. “’Lady Punks’ in Bands: A Subculturette?” The Post-Subcultures Reader. Eds. David Muggleton, and Rupert Weinzierl. Oxford: Berg, 2006. 239-51.

Redhead , Steve, Derek Wynne, and Justin O’Connor, eds. The Clubcultures Reader. Readings in Popular Cultural Studies. London: Routledge, 1997.

Reynolds, Simon. Rip it Up and Start Again. London: Faber and Faber, 2005.

Savage, Jon. England’s Dreaming: Sex Pistols and Punk Rock. London: Faber and Faber, 1992.

Sharma Sanjay, John Hutnyk, and Ashwani Sharma, eds. Dis-Orienting Rhythms. The Politics of the New Asian Dance Music. London, New York: Zed Books, 1996.

Taylor, Timothy D. “Moving in Decency: The Music and Radical Politics of Cornelius Cardew.” Music and Letters 79.4 (1998): 555-76.

Thompson, Stacy. Punk Productions. Unfinished Business. Albany, NY: State University of New York Press, 2004.

Thornton, Sarah. Club Cultures: Music, Media and Subcultural Capital. Cambridge: Polity Press, 1997.

Tilbury, John. Cornelius Cardew (1936-1981). A Life Unfinished. Matching Tye: Copula, 2008.

Wilson, Anthony. 24 Hour Party People. What the Sleevenotes Never Tell You. Basingstoke: Macmillan, 2002.

4. Art and Design 

Adams, Brooks, ed. Sensation. Young British Artists From the Saatchi Collection. London: Thames and Hudson, 1998.

Brown, Neal David, and Tracey Emin. Tracey Emin. London: Tate Gallery Publishing, 2006.

Cook, Roger. “The Mediated Manufacture of an “Avant-Garde”: A Bourdieusian Analysis of the Field of Contemporary Art in London, 1997–9.” Reading Bourdieu on Society and Culture. Ed. Bridget Fowler. Oxford: Blackwell Publishers, 2000. 164–85.

Cork, Richard Graham. Breaking Down the Barriers. Art in the 1990s. New Haven: Yale University Press, 2003.

Eliasch, Amanda, and Gemma De Cruz. British Artists At Work. New York: Assouline, 2003.

Ford, Simon. “The Myth of the Young British Artist.” Occupational Hazard: Critical Writing on Recent British Art. Eds. Duncan McCorquodale, Naomi Siderfin, and Julian Stallabrass. London: Black Dog, 1998. 130-41.

Grenfell, Michael, and Cheryl Hardy. “Field Manoeuvres: Bourdieu and the Young British Artists.” Space and Culture 6.1 (2003): 19-34.

———. Art Rules. Pierre Bourdieu and the Visual Arts. Oxford: Berg, 2007.McRobbie, Angela. British Fashion Design. Rag Trade Or Image Industry? London: Routledge, 1998.

———. In the Culture Society: Art, Fashion, and Popular Music. London: Routledge, 1999.

Quant, Mary. Quant By Quant. London: Cassell, 1966.

Stallabrass, Julian. Art Incorporated. The Story of Contemporary Art. Oxford: Oxford University Press, 2004.

———. High Art Lite. The Rise and Fall of Young British Art. London: Verso Books, 2006.

Thompson, Donald N. The $12 Million Stuffed Shark. The Curious Economics of Contemporary Art. New York: Palgrave Macmillan, 2008.

Thornton, Sarah. Seven Days in the Art World. London: Granta, 2008.

Timms, Robert, Alexandra Bradley, and Vicky Hayward, eds. Young British Art: The Saatchi Decade. London: Booth-Clibborn, 1999.

Walker, John Albert. Art and Celebrity. London: Pluto Press, 2003.

While, Aidan. “Locating Art Worlds: London and the Making of Young British Art.” Area 35.3 (2003): 251-63.

5. Film & Television 

Brabazon, Tara. “At Your Own Risk: Derek Jarman and the (Semiotic) Death of a Film Maker.” Social Semiotics 3.2 (1993): 183-200.

Bruzzi, Stella. “Where Are Those Buggers? Aspects of Homosexuality in Mainstream British Cinema.” The British Cinema Book. Ed. Robert Murphy. 3rd ed. London: Palgrave Macmillan, 2009.

Griffiths, Robin ed. British Queer Cinema. London: Routledge, 2006.

Hesmondhalgh, David, and Sarah Baker. “Creative Work and Emotional Labour in the Television Industry.” Theory, Culture & Society 25.7-8 (2008): 97-118.

Jaikumar, Priya. “Slumdog Celebrities.” The Velvet Light Trap 65.1 (2010): 22-24.

Jarman, Derek. Blue. Text of a Film. London: Channel 4 Television, 1993.

———. Modern Nature. The Journals of Derek Jarman. London: Random House, 1992.

———. At Your Own Risk. A Saint’s Testament. London: Vintage, 1993.

———. Derek Jarman’s Garden. London: Thames & Hudson, 1995.

Lawrence, Tim. “Aids, the Problem of Representation, and Plurality in Derek Jarman’s Blue.” Social Text (1997): 241-64.

Lippert, Chris, ed. By Angels Driven. The Films of Derek Jarman. Westport, CT: Greenwood Press, 1995.

Peake, Tony. Derek Jarman. London: Little, Brown and Company, 1999.

Wymer, Rowland. Derek Jarman. Manchester: Manchester University Press, 2005.

6. Theory 

Adorno, Theodor W. The Culture Industry. Selected Essays on Mass Culture. London: Routledge, 1991.

Banks, Mark, and David Hesmondhalgh. “Looking for Work in Creative Industries Policy.” International Journal of Cultural Policy 15.4 (2009): 415-30.

Banks, Mark. The Politics of Cultural Work. Basingstoke: Palgrave Macmillan, 2007.

Beck, Andrew, ed. Cultural Work. Understanding the Cultural Industries. London: Routledge, 2003.

Benjamin, Walter. The Work of Art in the Age of Mechanical Reproduction. London: Penguin, 2008.

———. “The Author as Producer.” New Left Review I/62 (1970)

Bennett, Andy, ed. After Subculture. Critical Studies in Contemporary Youth Culture. Basingstoke: Palgrave Macmillan, 2005.

Boden, Margaret A. The Creative Mind: Myths and Mechanisms. 2nd ed., London: Routledge, 2005.

Boltanski, Luc, and ƒve Chiapello. The New Spirit of Capitalism. London: Verso, 2007.

Cashmore, Ernest. Celebrity/Culture. London: Routledge, 2006.

Dewey, Alison, Hannah Steinberg, and Mark Coulson. “Conditions in Which British Artists Achieve Their Best Work.” Creativity Research Journal 11.4 (1998): 275-82.

Dutton, Denis. The Art Instinct. Beauty, Pleasure, & Human Evolution. New York: Bloomsbury Press, 2009.

Eagleton, Terry. The Illusions of Postmodernism. Oxford: Blackwell Publishers, 1996.

Evans, Jessica, and David Hesmondhalgh, eds. Understanding Media. Inside Celebrity. Maidenhead: Open University Press, 2005.

Fleming, Peter. Authenticity and the Cultural Politics of Work. New Forms of Informal Control. Oxford: Oxford University Press, 2009.

Florida, Richard. The Rise of the Creative Class. And How It’s Transforming Work, Leisure, Community and Everyday Life. New York: Basic Books, 2002.

Gelder, Ken, ed. The Subcultures Reader. 2nd ed. London: Routledge, 2005.

Hebdige, Dick. Subculture. The Meaning of Style. London: Routledge, 1979.

Hesmondhalgh, David. “Bourdieu, the Media and Cultural Production.” Media, Culture & Society 28.2 (2006): 211-31.

Hesmondhalgh, David, ed. Media Production. Milton Keynes: Open University Press, 2006.

Hesmondhalgh, David. “Cultural and Creative Industries.” The Sage Handbook of Cultural Analysis. Eds. Tony Bennett, and John Frow. Los Angeles: Sage Publications Ltd, 2008

Hesmondhalgh, David, and Andy C. Pratt. “Cultural Industries and Cultural Policy.” International Journal of Cultural Policy 11.1 (2005): 1-13.

King, Barry. “Stardom, Celebrity, and the Money Form.” The Velvet Light Trap 65.1 (2010): 7-19.

Lash, Scott, and Celia Lury. Global Culture Industry. The Mediation of Things. London: Polity Press, 2007.

Leadbeater, Charles. Living on Thin Air. The New Economy. London: Penguin, 2000.

Marshall, David P. ed. The Celebrity Culture Reader. Abingdon: Routledge, 2006.

Muggleton, David and Rupert Weinzierl, eds. The Post-Subcultures Reader. Oxford: Berg, 2006.

Redmond, Sean and Su Holmes, eds. Stardom and Celebrity: A Reader. London: Sage Publications Ltd, 2007.

Schickel, Richard. Common Fame: The Culture of Celebrity. London: Pavilion, 1985.

Turner, Graeme. Understanding Celebrity. London: Sage Publications Ltd, 2004.